| moustache_hairs_lost_-_ramadan_television_serials_and_the_construction_of_identity_in_damascus_syria.pdf |
Book A New Old Damascus: Authenticity and Distinction in Urban Syria. Bloomington: Indiana University Press, 2004. Book Chapters “Consumption, Display, and Gender.” In Samir Khalaf and Roseanne Khalaf, eds., Arab Culture and Society. London: Saqi Books, 2010. Reprinted from Christa Salamandra, A New Old Damascus: Authenticity and Distinction in Urban Syria, pp. 48-64. Bloomington: Indiana University Press, 2004.
"Through the Back Door: Syrian Television Makers between Secularism and Islamization.” In Kai Hafez ed., Arab Media: Power and Weakness. New York: Continuum, 2008.
“La television à l’heure du feuilleton.” In Baudoiun Dupret, Zouhair Ghazzal, Youssef Courbage and Mohammed al-Dbyat, eds., La Syrie au present: Reflets d’une société. Paris: Actes Sud, 2007.
“Chastity Capital: Hierarchy and Distinction in Damascus.” In Samir Khalaf and John Gagnon, eds., Sexuality in the Arab World. London: Saqi Books, 2006.
“Cultural Construction, the Gulf, and Arab London.” In Paul Dresch and James Piscatori, eds., Monarchies and Nations: Globalisation and Identity in the Arab States of the Gulf. London: I. B. Tauris, 2005.
"Consuming Damascus: Public Culture and the Construction of Social Identity." In Walter Armbrust, ed., Mass Mediations: New Approaches to Popular Culture in the Middle East and Beyond. Berkeley: University of California Press, 2000.
Peer Review Articles “Creative Compromise: Syrian Television Makers between Secularism and Islamism,” Contemporary Islam, Vol. 2(3), 2008.
“Television and the Ethnographic Endeavor: The Case of Syrian Drama,” Transnational Broadcasting Studies, Vol. 14 (Spring/Summer 2005).http://www.arabmediasociety.com/?article=36
“London’s Arab Media and the Construction of Arabness,” Transnational Broadcasting Studies, Vol. 10, Spring 2003.
"Globalisation and Cultural Mediation: The Construction of Arabia in London,” Global Networks, Vol. 2(4), 2002.
"Moustache Hairs Lost: Ramadan Television Serials and the Construction of Identity in Damascus, Syria," Visual Anthropology, Vol. 10(2-4) 1998. Reprinted in Toby Miller, ed., Television, Critical Concepts in Media and Cultural Studies, Vol. 2. London: Routledge, 2003.
Non-Peer Reviewed Articles “Al-Intizar,” catalogue entry, Fribourg International Film Festival, 2010.
Poetry translation, “Hole in the Head” and “The Last Time,” by Rima Buaini. Banipal: Magazine of Modern Arabic Literature, Vol. 31, Spring 2008.
“Damascus: New Dynamics in and about an Old City,” Anthropology News, January, 2007.
Guest Editor, ArteNews Quarterly Feature: “Ambivalent Nostalgias.” October 2007.
http://www.arteeast.dreamhosters.com/pages/artenews/nostalgias/
“Nostalgia Commodified: Old Damascus,” ArteNews Quarterly Feature, October 2007.
http://www.arteeast.dreamhosters.com/pages/artenews/nostalgias/
Translation from the Arabic, with Suhail Shadoud, “Canons of the Past,” by Najib Nusair, October 2007. http://www.arteeast.dreamhosters.com/pages/artenews/nostalgias/
Encyclopedia Entries “Al-Intizār” (“Waiting”), Encyclopedia of Syrian Television Drama (in Arabic). In press.
“Cities: Urban Movement: Arab States (excepting North Africa).” In Suad Joseph, ed. Encyclopedia of Women and Islamic Cultures, Vol.6. Leiden: Brill, 2007.
“Space: Female Space.” In Suad Joseph, ed. Encyclopedia of Women and Islamic Cultures, Vol.4. Leiden: Brill, 2007.
Paragraph.
